Many of my “heroes” have said it – all men I admire and respect. I’ve read their books, listened to their teaching, and sung their songs. Most worship songwriting “experts” teach that there is an ideal range or “sweet spot” for worship songs. And I used to believe it – I really did – I towed the line. In fact, I still use their suggestions as a guide, but I’m not convinced it can be applied universally – here’s why: [Read more…]
Just a few weeks ago my friend & fellow worship pastor, Chris Vacher, published a thought-provoking blog: “Thoughts on New Songs, Popular Songs, & Undiscovered Songs“, which has also been edited & republished over at TWC. In it he states that we should generally consider using the more popular worship songs because “…the reason that songs become popular and are sung around the world is that there are very talented songwriters who understand the craft of songwriting and have put together these various elements in a way that allows people of every musical skill level to sing as an expression of their worship to Jesus.” Though I have nothing against talented songwriters, I don’t necessarily agree with the first half of the blog.
There has been much talk across the blogosphere this week on a topic I’m thankful is being discussed: the struggle to get a church to actually participate in corporate singing. The conversations was begun – a few months ago – by Jamie Brown in “Are we headed for a Crash?” Good observations. Leading to helpful responses by David Santisteven and Dan Wilt, both of whom made some very good points. More recently, the Kenny Lamm of the North Carolina Baptist association has chimed in on the subject as well. Having led worship in a wide variety of churches – from traditional a cappella hymn singing to free-form, “Spirit-led”, 3 1/2 hour charismatic praise, and everything in between – I’m familiar with the problem. All it takes is one Sunday morning service with the room staring back at you, uttering not-a-peep, for us to go home contemplative, asking, “What did I do WRONG?” That said, though they make many good points, I’m not convinced any of the fore-mentioned blogs gets to the heart of the matter. Here’s why…
One of the reasons I moved away from traditional hymnody towards theologically rich modern worship was the excellent songwriting of Sovereign Grace Music. A few years ago I was blessed to lead Mark Altrogge‘s excellent modern Christmas song, “Christ the Lord is Born Today”, as originally recorded by Sovereign Grace Music.
I explained a bit about what this series is about in my last post POSTED HERE, so I won’t retread new ground, however I’m sure a few of you are puzzled: “Mary did you Know?” has been floating around for just under a quarter of a century! However, it’s a classic that moves my heart, & one that has some tricky spots for inexperienced musicians/worship leaders.
This tutorial video has two parts:
- A short intro & song demonstration and…
- A short breakdown of a few specific simplification strategies.
Watch the video for more information: